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She winds her arms, around him, seeing he is still determined to go, and, throwing back her head, looks into his face. "No, I am not afraid," says the girl, resisting his effort to put himself before her; and when he would have spoken she puts up her hands, and warns him to keep silence. "You may as well call it a train; people like it better," says Geoffrey. "I'm sure I don't know why, but perhaps it sounds better.".
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Conrad
"Very different," says Rodney. "No, you are not," says Geoffrey, grieved to the heart that he could have used such a word towards her. "You are nothing that is not sweet and adorable. And, besides all this, you are, I know, sincerity itself. I feel (and am thankful for the knowledge) that were fate to 'steep me in poverty to the very lips,' you would still be faithful to me." "If that is all," says Geoffrey, with a light laugh, laying his hand over the small brown one that still rests upon his arm, "I think it need hardly separate us. You are, indeed, different from all the other women I have met in my life,—which makes me sorry for all the other women. You are dearer and sweeter in my eyes than any one I have ever known! Is not this enough? Mona, are you sure no other reason prevents your accepting me? Why do you hesitate?" He has grown a little pale in his turn, and is regarding her with intense and jealous earnestness. Why does she not answer him? Why does she keep her eyes—those honest telltales—so obstinately fixed upon the ground? Why does she show no smallest sign of yielding? She leans back in her chair, and brings her fingers together, clasping them so closely that her very nails grow white. Her thin nostrils dilate a little, and her breath comes quickly, but no angry word escapes her. How can her lips give utterance to a speech that may wound the mother of the man she loves!.
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